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Reviving rich histories | Architect Abha Narain Lambah

Architect Abha Narain Lambah on the unexplored tourist potential of India's cultural sites and what the country needs to race ahead of rivals in the industry

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CATALYSING HERITAGE: Why the past is still the future of India’s tourism growth story | Photograph by Bandeep Singh

Architect Abha Narain Lambah didn’t mince words in laying out the harsh realities of India’s tourism industry, emphasising how India’s architectural and cultural heritage remains “greatly untapped”, with stakeholders unaware of its enormous potential.

Two facts underscoring the dismal situation: Paris’s Louvre attracts almost as many visitors, annually, as the total number of foreign tourists visiting India the same period; India only has 3,900 nationally protected monuments, significantly less than United Kingdom, which is smaller than Uttar Pradesh but has a lakh such sites.

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If India wants to see tourism contribute more to its economy, says Lambah, acquiring UNESCO tags is the way to go. China, she notes, is far more active than any nation in preparing dossiers for its heritage. Lambah’s eponymous firm has made many successful dossiers, including for Rabindranath Tagore’s Shantiniketan and Lucknow as a creative city for gastronomy. Sarnath is next.

TAKEAWAYS

The tourism department needs to work in sync with urban development, culture, archaeology, heritage and city planning departments to create a more wholesome experience for travellers

Getting a UNESCO tag is the ideal way for cities and countries to project themselves, with serial nominations being an effective strategy. Mumbai’s Victoria and art deco precinct with 83 buildings is an example

The quality of tourists as well as their spending and influence on local economy is more important than the mere footfall

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Heritage and cultural conservation should be seen as an enabler of community

- Ends
Published By:
Shyam Balasubramanian
Published On:
Jun 27, 2026 15:15 IST

Architect Abha Narain Lambah didn’t mince words in laying out the harsh realities of India’s tourism industry, emphasising how India’s architectural and cultural heritage remains “greatly untapped”, with stakeholders unaware of its enormous potential.

Two facts underscoring the dismal situation: Paris’s Louvre attracts almost as many visitors, annually, as the total number of foreign tourists visiting India the same period; India only has 3,900 nationally protected monuments, significantly less than United Kingdom, which is smaller than Uttar Pradesh but has a lakh such sites.

If India wants to see tourism contribute more to its economy, says Lambah, acquiring UNESCO tags is the way to go. China, she notes, is far more active than any nation in preparing dossiers for its heritage. Lambah’s eponymous firm has made many successful dossiers, including for Rabindranath Tagore’s Shantiniketan and Lucknow as a creative city for gastronomy. Sarnath is next.

TAKEAWAYS

The tourism department needs to work in sync with urban development, culture, archaeology, heritage and city planning departments to create a more wholesome experience for travellers

Getting a UNESCO tag is the ideal way for cities and countries to project themselves, with serial nominations being an effective strategy. Mumbai’s Victoria and art deco precinct with 83 buildings is an example

The quality of tourists as well as their spending and influence on local economy is more important than the mere footfall

Heritage and cultural conservation should be seen as an enabler of community

- Ends
Published By:
Shyam Balasubramanian
Published On:
Jun 27, 2026 15:15 IST
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